Artefacts In Mammography: A Three year experience in a new teaching hospital. Pictorial Essay
R Akinola, O Akinola, F Jinadu, T Akintomide, P Soeze, O Asuquo
Keywords
artefacts, mammography, pictorial essay
Citation
R Akinola, O Akinola, F Jinadu, T Akintomide, P Soeze, O Asuquo. Artefacts In Mammography: A Three year experience in a new teaching hospital. Pictorial Essay. The Internet Journal of Radiology. 2007 Volume 8 Number 1.
Abstract
In radiology, an artefact is a substance or structure not naturally present in living tissue, but of which an authentic image appears in a radiograph1. The accuracy of interpretation of a mammography image depends mainly on the quality of the radiographs. A good quality image has greater sensitivity and specificity. The presence of artefacts on a mammogram could obscure abnormalities or create false images, which will lead to misinterpretations. Therefore the radiologist has to be familiar with the various types of artefacts which could be encountered while reporting.
This study reviewed artefacts seen in mammography in the Lagos State University Teaching Hospital, Lagos, Nigeria in a period of three years, with a view to reducing misdiagnosis.
Introduction
The role of the technologists in film processing cannot be overemphasised, as their inability to recognise artefacts so as to effect immediate amendments will militate against the production of good quality images which is a prerequisite for accurate interpretation.
Artefacts cause the degradation of film quality and image artefacts would allow for rejection of the images 2,3,4 . Artefacts may be caused by the patient, equipment, the act of processing and the processor itself. Some may be clearly obvious while others cause false images. Interpretation of images are marred on the long run and misinterpretation results in misdiagnosis which ultimately lead to undesired consequences.
We demonstrate the variety of artefacts encountered on reviewing mammograms done in our centre in the last three years.
Materials And Methods
All mammograms of patients sent to the radiology department of LASUTH from August 2003 to August 2006 for diagnostic and screening mammography were reviewed with particular attention to the variety of artefacts seen. At least two views were taken, the cephalocaudal and mediolateral views, using a Melody Villa Systemi Medicali stereotactic biopsy mammography machine. Where necessary a spot compression view was also done. Viewing boxes were well lit and magnifying glasses were employed. All
films suspected to have artefacts were retaken to confirm their presence or otherwise. The various types of artefacts were classified depending on their origin and documented.
Results And Discussion
The artefacts were classified by origin into those due to the patient, due to technician and bad dark room habits, film processing, the processor and to the equipment itself.
Patient related artefacts
Artefacts could result from patients themselves, ranging from misinformation when they were scheduled for the examination, as in wearing deodorant or talc powder and lotion which should be avoided, movement during the examination, articles on their body overlying the breast during the examination , such as hair, jewelleries, hand, clothing, chin, and even the other breast
Figure 1
Figure 2
Figure 3
Figure 4
Most artefacts caused by superimposed objects are readily identified and are easily corrected by repeating the exposure after first making sure that the overlapping object is safely out of the path of the x-ray beam 2 .
Artefacts due to technicians and Darkroom related artefacts
Some of the artefacts were attributed to use of nail polish and hand lotions by the technician and faulty techniques by radiographers, such as choosing poor exposure factors or loading the film upside down.
Dark room artefacts encountered were due to darkroom faults, such as dirty intensifying screens, faulty or careless loading of films into cassettes, worn out cassette locks, bad dark room habits and cleanliness, poor chemical quality or mixing, use of cell phones and light leaks in the dark room.
The processing techniques are also an important factor in eliminating artefacts.
Initially, manual processing was the only mode of processing available in the department and the artefacts peculiar to this mode of processing is shown in
Figure 5
Improper developer fixation causes incomplete film fixing which leads to fading and brownish discoloration of the film,
Figure 6
This problem may be caused by loss of circulation in the fixer tank, under replenished or improperly mixed fixer, or low fixer temperature 2 .
Dust or grain artefacts
Figure 7
These simulate calcifications. They are due to dust particles on the intensifying screen which prevent light from the intensifying screen from reaching the film. It is avoided by daily and weekly cleaning of the intensifying screen. Grain artefacts could also be as a result of sand particles in the water used in processing the films. The predominance of this type of artefact in our study is probably due to our source of water supply which is from the bore hole and is quite sandy.
Technologists should also not wear nail polish or hand lotion 2,5 , as these produce dust particles.
Figure 8
Figure 10
Clumping of silver halide granules can also occur if the dryer is too hot and water droplets form during the drying process. It is recommended that the dryer temperature be set as low as possible while still producing films that are sufficiently dry when they exit the processor 2 .
Washing the hands to rid them of grease and lotion prior to film handling and not allowing food and beverages in the darkroom help prevent fingerprint artefacts. Pressure artefacts can be caused by touching the film with the fingernails or fingertips or by improperly storing film boxes lying flat rather than standing on end. Fingernail marks are seen as plus-density or dark curvilinear artefacts,
Figure 11
Fingertip pressure artefacts appear as minus-density oval artefacts that may be mistaken for a nodular lesion if seen on only one view. If repeated, neither artefacts should be present on the image 2,5 .
Loading films upside down or loading double film will cause underexposure 2,5
Figure 12
Mobile phones should not be used in the dark room as the light they show may cause film fog.
Equipment related artefact
Some artefacts were due to faulty equipments such as poor compression, faults due to bad processor (mainly as a result of defects in the rollers). These types of artefacts were rarely seen in our study, most likely because these equipments were new. The processor related artefacts is usually due to worn out, uneven or erratic rotating rollers 2 , excessive build up of developer on rollers or excessive roller pressure, as seen in
Figure 14
Adequate processor cleaning, chemical replenishing and proper processor adjustment helps prevent this. Artefacts may also be due to running films very closely through the processor,
The compression component of the equipment is seen as a metallic artefact,
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Conclusion
In this series, most artefacts were found to be mainly as a result of careless darkroom habits, processor and processing faults. The source of water used in the dark room was from the bore hole which might contain sand particles that could account for the grain artefacts. Artefacts due to the equipment were virtually non-existent, probably because the machine was new. This study has helped to emphasize the importance of ensuring excellent quality control at all times so that good quality mammograms are produced.
Most artefacts are readily recognized and do not pose any diagnostic difficulties. Others may give impressions of false lesions or mask true lesions. Radiologists and radiographers should be familiar with the variety of artefacts and how they can be avoided. Majority of mammographic artefacts can be eliminated by taking into cognizance, cleanliness in the darkroom, careful film handling, frequent planned maintenance of the processor and replenishment of chemicals, daily quality assurance checks and meticulous patient positioning during mammography procedures.